Synopsis

Laksamana Do Re Mi ini adalah kesinambungan dari filem Do Re Mi dan Nasib Do re mi. Ianya mengisahkan tiga sahabat iaitu Do Re Mi yang mendapat anugerah kesaktian daripada Puteri Buluh Betung yang mereka selamatkan. Do menerima segulung tikar terbang yang boleh terbang kemana-mana destinasi, Re mendapat sebuah teropong ajaib yang boleh melihat apa sahaja yang di hajati dan Mi pula mendapat bangsi hikmat yang membolehkan apa sahaja yang di hajati tiup sahaja bangsi tersebut pasti akan tercapai. Dengan hikmat-hikmat mereka ini, mereka membantu sebuah kerajaan yang di dalam kekacauan oleh orang jahat iaitu Pasola. Pelbagai aksi lucu dapat di lihat ketika mereka cuba membantu kerajaan tersebut. Dapatkah mereka ini membantu kerajaan tersebut?

Laksamana Do Re Mi (1972)

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Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess's novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and gang raping his wife (who later dies as a result). After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, Rovi

A Clockwork Orange (1971)

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The Big Boss, (previously known by its U.S. title ‘Fists of Fury’) is a 1971 Hong Kong martial arts action film. The Big Boss was Bruce Lee’s first major film. His success in this film made Bruce Lee a star across Asia.
Cheng is a Chinese man from Guangdong who has moved to Thailand, with the help of his uncle, to find a job working with his cousins in an ice factory. When a block of ice is accidentally broken, something that looks like a bag of white powder comes out. Later that night, Cheng’s two cousins who discovered the heroin are asked to stay to see the manager. They are told that there are better jobs for them. Apparently, the factory is a front for a drug smuggling ring led by the Big Boss, Hsiao Mi. The cousins are offered good positions. When they decline, they are swiftly eliminated.

The Big Boss (1971)

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Sam Peckinpah examines the instinctual capacity for violence in his controversial 1971 film, loosely based on the novel The Siege of Trencher's Farm. To avoid the Vietnam-era social chaos in the U.S., American mathematician David Sumner (Dustin Hoffman) moves with his British wife, Amy (Susan George), to the isolated Cornish town where she grew up, but their presence provokes antagonism among the village's men. As the hostilities escalate from routine bullying to the gang rape of his wife, David finds his pacifistic self backed into a corner. When the hooligans attack his house, David finally resorts to the gruesome violence that he abhors. ~ Lucia Bozzola, Rovi

Straw Dogs (1971)

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After George Lazenby portrayed James Bond in On Her Majesty's Secret Service, Sean Connery returned to the tux, gimmicks, and catchphrases of Secret Agent 007 in his penultimate Bond outing, Diamonds Are Forever. Fragments of Ian Fleming's original 1954 novel remain, including the characters of the alluring Tiffany Case (Jill St. John) and fey hitmen Wint (Bruce Glover) and Mr. Kidd (Putter Smith). The remainder of Richard Maibaum and Tom Mankiewicz's script diverges dramatically from the novel, involving Bond in a scheme by the insidious Ernst Blofeld (Charles Gray) to force the world powers to disarm so that he can take over the globe. Folksinger Jimmy Dean shows up briefly as a Howard Hughes-like reclusive billionaire, while Lana Wood (Natalie's sister) participates in one of the film's edgiest cliffhangers. Agreeing to make Diamonds Are Forever only because of the money offered him, Sean Connery parted company with the role for 12 years after this film; he returned to the role once more in 1983, for Irvin Kershner's underrated Thunderball remake Never Say Never Again. ~ Hal Erickson, Rovi

Diamonds Are Forever (1971)

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Long thought dead, the victim of a horrible accident, Dr. Anton Phibes (Vincent Price) still lives, surrounded by art-deco bric-a-brac and attended by mute beauty Vulnavia (Virginia North). Outwardly normal in appearance, Phibes actually wears a rubber mask, covering his hideously deformed countenance; giving away the artifice is the fact that, when he dines, he takes his food through his neck rather than his mouth. Able to speak only when plugging a wire into his damaged vocal chords, Phibes elucidates his plan to murder the medical team whom he holds responsible for the death of his wife. Each of the killings is patterned after the ten deadly plagues. Phibes saves his worst for last: trapping chief surgeon Dr. Vesalius in his lair, Phibes forces the hapless medico into a race against time to save the life of his own son. ~ Hal Erickson, Rovi

The Abominable Dr. Phibes (1971)

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Che' Rostam bekerja sebagai pengurus bank. Beliau mempunyai seorang isteri bernama Rosmah dan anak remaja lelaki bernama Rostam. Rosmah menghidap penyakit lumpuh dan cuma bergerak sekitar dalam rumah menggunakan kerusi roda. Rostam yang sering kesunyian menanggung siksa batin di rumah, sering menghadiri majlis-majlis yang dianjurkan oleh kawan-kawannya.

Sementara itu, anaknya Rosman pula sering membuang masa berlegar-legar di pusat hiburan terutama sekali di sebuah kedai minuman tempat Lisdar bekerja sebagai pelayan. Lisdar ialah seorang janda yang mempunyai seorang anak perempuan yang dipelihara oleh neneknya di kampung. Di tempat kerja Lisdar, ramai pengunjung yang meminatinya tetapi tidak dilayan termasuk Rosman.

Pada suatu malam, Rostam telah berkenalan dengan Lisdar di sebuah majlis jamuan rakannya. Oleh kerana terlalu banyak meminum minuman keras, Rostam telah mabuk dan Lisdar membawanya bermalam di rumah flatnya. Sementara itu Rosmah sungguh bimbang kerana Rostam tidak pernah tidak pulang atau bermalam di tempat lain selama 21 tahun mereka mendirikan rumah tangga. Keesokan harinya, apabila Rostam pulang dia telah berbohong dengan isterinya...

Putus Sudah Kaseh Sayang (1971)

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Tahirah anak perempuan Dato Mahmud, seorang majistret di Pulau Pinang, suka berkawan dengan Tahir, anak orang gaji mereka, Mariam. Persahabatan mereka terputus apabila Dato Mahmud ditukarkan ke Kuala Lumpur. Selepas ibunya meninggal dunia, Tahir berhijrah ke kota di mana dia terjebak dalam kegiatan jenayah kecil-kecilan. Keberanian serta ketangkasan Tahir akhirnya menjadikan dia ketua sebuah kumpulan perompak.

Pada suatu hari, Tahir menemui sebentuk cincin dalam hasil rompakan rakan-rakannya. Dia begitu mengenali cincin tersebut yang pernah diberikannya kepada Tahirah semasa kecil dahulu. Tahir memarahi mereka kerana merompak rumah Dato Mahmud. Kemudian terjadi pertengkaran besar di mana Tahir telah menembak mati kesemua perompak tersebut. Apabila Tahir pergi ke rumah Dato Mahmud untuk mengembalikan cincin tersebut, dia telah termasuk ke dalam perangkap polis yang dipasang oleh Inspektor Rosley, tunang Tahirah.

Tahir akhirnya dijatuhkan hukuman mati kerana kesalahannya. Semasa menunggu hukumannya dalam penjara, Tahir meminta untuk menemui Dato Mahmud. Pada waktu itu, barulah Dato Mahmud mengenali Tahir dan dengan serta-merta dia menghubungi Tahirah yang sedang bercuti di Singapura. Rahsia mengenai Tahir dan Tahirah yang selama ini disimpan oleh Dato Mahmud akhirnya terbongkar.

Jangan Tinggal Daku (1971)

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The Aristocats was the first Disney Studios animated feature to be produced after Walt Disney's death. A wealthy woman leaves her vast fortune to her four cats: the well-bred Duchess and her kittens, Berlioz, Toulouse, and Marie. Jealous butler Edgar, eager to get his mitts on the cats' legacy, abandons the felines in the French countryside. The four lost kitties are aided in their efforts to return home by the raffish country pussycats Thomas O'Malley and Scat Cat. In keeping with a tradition launched by The Jungle Book (1967), The Aristocats is top-heavy with celebrity voices, including Phil Harris, Eva Gabor, Scatman Crothers, Hermione Baddeley, and the ineluctable Sterling Holloway. Assembled by the "nine old men" then in charge of animation, The Aristocats was a commercial success, essentially proving that Disney animated features could succeed without the involvement of the company's founder. ~ Hal Erickson, Rovi

The Aristocats (1970)

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Austria – 1770. A time of superstition and religious persecution. Count Cumberland and his evil henchmen torture and kill innocent citizens accusing them of witchcraft. This original uncut version has lost none of its shocking impact.

On the outset we are introduced to a cruel and public display of a witch being burned alive. Followed by an introduction of how the film is based upon three real historical Witch trial accounts. Count Christian von Meruh (Udo Kier) arrives at a small rural village with his fellow merry men and discovers that some uncalled for punishment is being conducted by the wicked Local witch finder official. He steps up heroically to defend one tavern girl who he feels sympathy for. They prepare for the arrival of his Lord, Christian teacher Count Cumberland, who shows some talent of his own for being a corrupt and misgiving leader. With him now in charge of seeing over all the Indictment and confessions. Udo Kier begins to doubt his teacher and rebels. Contains lots of screaming and grisly torture scenes. Plus a disturbing look at a chinese water torture punishment.

Mark of the Devil (1970)

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In director Arthur Hiller's hit tearjerker -- based on Erich Segal's novella -- Ryan O'Neal plays Oliver Barrett IV, a comfortably off Harvard pre-law student who falls in love with Radcliffe music student Jenny Cavilleri (Ali MacGraw), a freewheeling, delightfully profane product of a blue-collar Italian-American family. Oliver's father (Ray Milland) heartily disapproves of the subsequent marriage and cuts off his son's allowance. Despite financial travails (the pampered Oliver actually has to go to work!), the couple is blissfully happy....until Jenny is diagnosed as having an unnamed disease that consigns her to an early death. The movie's tagline "Love means never having to say you're sorry" became an iconic American catchphrase, the film's theme a number one hit. One of the early products of Paramount guru Robert Evans, Love Story grossed more money than any Paramount production before it. This enormously successful film inspired a 1978 sequel, Oliver's Story. ~ Hal Erickson, Rovi

Love Story (1970)

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A sinister illusionist gets away with ghastly murders on-stage in this unique horror story. Though Montag the Magnificent (Ray Sager) appears to be eviscerating beautiful volunteers from the audience with railroad spikes, chainsaws, and punch presses, the girls always smile afterward and walk away unscathed, leading the adoring crowd to admire the magician's handiwork. However, each evening, those same women are found horribly murdered in similar fashions, leading a young couple to take interest in the case. Sherry Carson (Judy Cler) is fascinated with Montag's show and wants to feature his magic on her afternoon television program. Her boyfriend, Jack (Wayne Ratay), is a sports writer, but he decides to investigate the weird homicides that have plagued the city since Montag appeared. Eventually, it becomes clear that the magician is planning to commit mass murder by hypnotizing the audience of Sherry's TV show, and Jack has to act fast. But the evil Montag's magic has already warped the fabric of reality, and no outcome is certain. ~ Fred Beldin, Rovi

The Wizard of Gore (1970)

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One of several film versions of the 1928 Russian novel The Twelve Chairs (one of the better-known adaptations was the 1945 Fred Allen vehicle It's in the Bag), Mel Brooks' movie is set in the years following the Bolshevik revolution. Onetime aristocrat Vorobyaninov (Ron Moody), now reduced to a humdrum clerical job, discovers that his family's fortune still exists. To keep their riches from falling into the hands of the revolutionaries, Vorobyaninov's family hid the loot in one of twelve chairs. Taking a crafty beggar (Frank Langella) into his confidence, Vorobyaninov returns to the ruins of his ancestral mansion to reclaim his fortune. Also chasing after the twelve chairs is an Orthodox priest (Dom DeLuise), who tells himself that he only wants the money to replenish his church. Alas, the chairs have been scattered to the four winds, sparking a film-length race to retrieve the furniture and claim the gold. ~ Hal Erickson, Rovi

The Twelve Chairs (1970)

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Corey (Alain Delon) is the young gun in the French underworld who has just been released from prison. Escaped convict Vogel (Gian-Maria Volonté) hides in the trunk of Corey's car. The two enlist the help of an alcoholic former cop (Yves Montand) for an elaborate jewelry-store robbery. Police inspector Mattei (Bourvil) whom Vogel escaped in the beginning of the film is on the case trying to recapture the criminals. He is not opposed to using blackmail techniques to get answers out of the unwilling witnesses and criminals brought in for questioning. ~ Dan Pavlides, Rovi

Le Cercle Rouge (1970)

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This 25-million dollar epic collaboration accurately recreates the events that led to the Japanese attack on the American naval base during World War II. With Germany's invasion of Poland on September 1, 1939, the wheels are set in motion by Japan to plan the attack. After internal differences in the government, the Japanese quickly mobilize plans for the assault. Key American personnel ignored warnings of the possibility of Japanese aggression. The first part of the film divides scenes from both countries. Part two contains spectacular battle scenes of the bombing that destroyed the American naval base of operations in Hawaii. Governmental errors on both sides add to the confusion, but the Japanese ultimately carry out the deadly mission. The film did well in Japan, did not do well in the he United States, and took years to make back the production costs. It remains an insightful and well crafted World War II action drama that was the result of years of negotiations between the two countries. ~ Dan Pavlides, Rovi

Tora! Tora! Tora! (1970)

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Dr. Rushdi dan isterinya Mariana menghadiri suatu majlis makan malam yang diadakan oleh Rozaiman. Ketika majlis berjalan, Dr. Rushdi menerima panggilan kecemasan dari seorang pesakitnya. Dia terpaksa meninggalkan isterinya berseorangan. Mariana dan Rozaiman kemudiannya berkenalan. Sejak itu mereka menjalinkan hubungan mesra apabila Dr. Rushdi sering sahaja sibuk melayan pesakitnya dan mengabaikan isterinya. Pada suatu hari, Dr. Rushdi terserempak Mariana dan Rozaiman di sebuah hotel. Akibat kecewa dengan kelakuan sumbang isterinya, Dr. Rushdi cuba membunuh diri dengan meminum racun tetapi dapat dihalang oleh jururawatnya, Muliani. Dr. Rushdi terharu dengan sikap simpati Muliani yang mengaku memendam perasaan kepadanya. Selepas itu, Dr. Rushdi telah menceraikan isterinya lalu pergi tinggal bersama Muliani di rumahnya. Rozaiman pula merancang untuk menghapuskan Dr. Rushdi dan membolot wang insuran Dr. Rushdi yang telah menamakan Mariana sebagai pewaris hartanya. Dr. Rushdi perlu mencari jalan menyelamatkan hidupnya dari dimusnahkan

Dr Rushdi (1970)

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Mackenna's Gold is a colorful, action-packed western feature with an all-star cast. Mackenna (Gregory Peck) has committed to memory the map that leads to some hidden Apache gold. The Indians now want the gold to finance their fight against the white men who invade their territory. Mexican bandit Colorado (Omar Sharif) wants the gold for himself, and the local preacher (Raymond Massey) and the editor of the newspaper (Lee J. Cobb) also get gold fever. Burgess Meredith plays the storekeeper and Edward G. Robinson is long-time town resident Old Adams. Everyone goes looking for the hidden treasure as the Indians dwindle their numbers with violent attacks. The search is monitored by U.S. calvary Sergeant Tibbs (Telly Savalas). Colorado captures Mackenna to lead him to the gold as death comes to those who show the most avarice. Music is provided by Quincy Jones. ~ Dan Pavlides, Rovi

Mackenna's Gold (1969)

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Based on a James Leo Herlihy novel, British director John Schlesinger's first American film dramatized the small hopes, dashed dreams, and unlikely friendship of two late '60s lost souls. Dreaming of an easy life as a fantasy cowboy stud, cheerful Texas rube Joe Buck (Jon Voight) heads to New York City to be a gigolo, but he quickly discovers that hustling isn't what he thought it would be after he winds up paying his first trick (Sylvia Miles). He gets swindled by gimpy tubercular grifter Rico "Ratso" Rizzo (Dustin Hoffman) but, when Joe falls in the direst of straits, Ratso takes Joe into his condemned apartment so that they can help each other survive. Things start to look up when Joe finally lands his first legit female customer (Brenda Vaccaro) at a Warhol-esque party; Ratso's health, however, fails. Joe turns a final trick to get the money for one selfless goal: taking Ratso out of New York to his dream life in Miami. One of the first major studio films given the newly minted X rating for its then-frank portrayal of New York decadence, Midnight Cowboy was critically praised for Schlesinger's insight into American lives, with the intercut mosaic of Joe's memories and Ratso's dreams lending their characters and actions greater psychological complexity. While they may have been drawn by the seamy content (tame by current standards), the young late '60s audience responded to Joe's and Ratso's confusion amidst turbulent times and to the connection they make with each other despite their alienation from the surrounding culture. Midnight Cowboy became one of the major financial and artistic hits of 1969, winning Oscars for Best Picture (the first for an X-rated film), Best Director, and former blacklistee Waldo Salt's screenplay. Though the one-two punch of Midnight Cowboy and The Graduate (1967) proved Hoffman's range and Voight's Joe Buck made him a star, both lost Best Actor to classical cowboy John Wayne for True Grit. The film was later re-rated R by the MPAA. ~ Lucia Bozzola, Rovi

Midnight Cowboy (1969)


 Synopsis

Osman dibebaskan selepas menjalani hukuman penjara selama sepuluh tahun atas kesalahan membunuh yang tidak dilakukannya. Dua orang pemuda, Ali dan Hassan telah menangkap Osman setelah dia keluar dari penjara dan dibawa bertemu dengan ketua mereka, Karim. Osman dibelasah sehingga pengsan dan dicampakkan ke dalam sungai. ASP Azman ditugaskan menyiasat perkara tersebut. Faridah, isteri ASP Azman, terjumpa Osman ketika dia ke klinik yang kebetulan merawat Osman yang cedera. Osman mengesyaki bahawa Faridah sebenarnya adalah Hamidah, teman wanitanya sebelum dipenjarakan dahulu. Osman cuba membuktikan bahawa Hamidah sedang menyamar sebagai Faridah, dan semua yang terjadi ada kaitannya dengan kumpulan yang diketuai oleh Karim. ASP Azman turut mengesyaki isterinya yang berkelakuan seperti menyembunyikan sesuatu setelah kehadiran Osman...

Di Belakang Tabir (1969)

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Di sebuah kampung bernama Pekan Saroja terdapat enam orang lelaki yang membentuk kumpulan Enam Jahanam. Mereka melakukan pelbagai kejahatan seperti merompak, memperkosa dan membunuh penduduk kampung untuk mendapatkan kekayaan dan memuaskan nafsu jahat mereka. Setelah berjaya mengumpul harta yang begitu banyak, mereka bersetuju untuk menghentikan kegiatan jahat mereka dan membawa haluan masing-masing dengan menggunakan kekayaan tersebut. Oleh kerana sifat tamak mereka, kumpulan Enam Jahanam mengambil keputusan untuk melakukan rompakan terakhir mereka di kampung Pekan Menara. Di situ tinggal saudagar Tantari bersama isterinya Masmera. Tantari membuka kedai menjual pakaian dan kain-kain. Pada malam rompakan tersebut, Tantari telah keluar atas urusan perniagaan yang penting. Secara kebetulan, Tantari dan isterinya telah berjanji lebih awal dengan seorang tukang gambar untuk mengambil gambar mereka berdua. Oleh kerana Tantari tiada, Masmera bergambar seorang diri. Ketika tukang gambar memetik kameranya, kumpulan Enam Jahanam masuk ke kedai Tantari dan berjaya dirakam oleh kamera tersebut. Tukang gambar tersebut telah dibunuh dengan kejam sementara Masmera diperkosa dan turut dibunuh. Apabila Tantari pulang, tukang gambar sempat menunjuk ke arah Masmera dan kameranya sebelum dia meninggal dunia. Setelah gambar tersebut dicuci dan dicetak, kelihatan wajah Enam Jahanam yang bertanggungjawab terhadap kematian isterinya. Tantari yang pernah menuntut ilmu pendekar berazam untuk menghapuskan Enam Jahanam berpandukan gambar tersebut. Dalam perjalanannya dia mendapat pertolongan daripada Damburi yang muncul secara mencurigakan...

Enam Jahanam (1969)